San Jose, CA’s one-man OSDM band RIPPED TO SHREDS are proud to announce today’s release of the limited edition vinyl LP version of debut album Mai-zang on Night Rhythms. Explosive and earnest Death Metal with old school with Swedeath/grind tones and accursed mania, the vinyl LP is limited to 150 copies (50 “bone” / 100 black) with screen printed, hand-numbered jacket and double-sided 11×11 insert.
Featuring extreme multi-tasker Andrew Lee (ex-DISINCARNATION), Mai-zang was previously released through Malaysia’s Necrolatry Records (cassette) and Mexico’s Craneo Negro Records (CD). The album is also available for purchase and high volume streaming HERE.
Reamping/mixing/mastering on Mai-zang was handled by Damian Herring (HORRENDOUS) at Subterranean Watchtower Studios. Album artwork was created by Skaðvaldur.

Mai-zang means ‘burial’ or ‘tomb’, is a reflection of the turmoil, strife, and chaos of late 19th to early 20th century China as she dealt with multiple internal uprisings and foreign invasions. From the religious purges of the Taiping Rebellion to the mass famine in the wake of the Yellow River flood, each track presents a harrowing vignette of death and horror.

The song “Jiangu,” which was performed in Mandarin, informs the themes in the cover art and tone of the album. Taiwanese people are traditionally buried sans embalming to let the flesh naturally rot away. They are exhumed years later to remove and clean the bones, which are placed in a funerary urn, and that urn then reinterred. This practice is called jiangu or “picking up bones.” Andrew’s great-grandparents were buried in this manner, but in the last 20 years population growth and space concerns prevent full coffin burial so people are cremated instead. Jiangu in the modern context refers to transferring the bone fragments left from cremation into the funerary urn. Worship of those remains is culturally important; what if during the cremation process a mistake was made and the family was handed the wrong person’s ashes and bones? “Bone Ritual” then depicts the deceased’s impotence in bringing good luck to his descendants as they pay false obeisances to the remains of a stranger.

The cover art shows a traditional grave; for Han Chinese, sweeping the grave is an important annual ritual, so leaving a grave to rot as drawn is an act of supreme disrespect to one’s forebears.

Find out more HERE