Maryland-based doom trio YATRA prepares to release their crushing debut LP, ‘Death Ritual, through Grimoire Records in early January. The album’s lead single has now been introduced to the public, as prime doom/rock portal The Obelisk unveils the mighty “Black Moon” track.

YATRA is a journey into mountainous sounds, transcending into the deep forests of primeval times. Born from the ashes of the Maryland doom band Blood Raven, the new three-piece emerged in 2017 as frontman Dana Helmuth’s new vehicle to embrace the darkness and doom. Confident in Maria Geisbert and Mike Tull as his new rhythm section, Helmuth’s inspiration was fueled exponentially.

The Obelisk praises Black Moon, noting with the premiere of the new single, “I have the pleasure of hosting the track, which makes a ceremony of its initial feedback before unfurling some of the more extreme touches amid the tonal heft and nodding groove, the ease with which YATRA tap into different styles deceptive in its raw cohesion.”

Venture towards YATRA’s Black Moon only at The Obelisk RIGHT HERE.

YATRA‘s full-length debut, ‘Death Ritual’ was recorded, mixed, and mastered by Grimoire Records’ Noel Mueller in August of 2018. The artwork features four mixed-media pieces by Aki Pitkänen, layout by Mueller, and the hand-drawn logotype by Dana Helmuth.

‘Death Ritual’ will be released on CD and digital download via Grimoire Records, and as a limited-edition vinyl release directly from the band, on January 4th, 2019. Find preorders HERE and watch for audio samples, tour dates, and more to be posted shortly.

“We had moved back to the country, into a small cottage in the woods, with no plumbing for the first three months we were there,” describes Helmuth, on writing Death Ritual. “We had an outhouse and outdoor shower. It was primitive, and it was during that time that I started writing all the material for ‘Death Ritual. The solitude and the darkness of the night put me in a space of prolific writing and I wrote all eight songs in a month. We rehearsed three times a week and immediately started playing live shows regularly in Baltimore and New York City. We were able to channel that same darkness in the writing, also into our live shows, and the positive response was tremendous and really pushed us harder on our journey.”